horse

@poet’s corner 7 jan 2026

hi, happy new year everyone.

this isn’t about horses, but it sort of has has a donkey in it, and i think the don himself rode a mule, which is somewhat horse related i think.

i had been writing a lot of poetry in 2024. and in 2025 i started posting it to the internet and reading it in bars. and continued writing. but in a new context – a public poet. i mean, in a limited way. this change made me think of book 2 of cervante’s don quixote. one of the first great works of meta-fiction.

reus brexitus 

brexitus rex, a fencepost; 

no entry for french blokes 

yes hello we are here 

it is act two of don quixote

or quixote like… piss moat

(though i prefer quixotic, 

like chaotic)

anyway 

so far so quixotic

(to rhyme with exotic)

anyway

in which we ask,

will the windmills we recall 

from the first act charge back?

in which we find,

that windmills

don’t charge on poets

this next poem contains one word that is a derivative of horse.

it is about an idea i think about a lot which i call the book at the end of the universe. 

i like to think that, when this whole thing is over, all the players will be invited to inspect the logs and find out what the other characters were thinking, what actually went down, who thought they had got away with cheating, and so on. like, the ultimate compendium of gossip, sleaze, and quiet morality.

the book however raises questions: could it have existed before the universe started? does it already exist? do the players who have already left the game have access to it? or are there superplayers who have access to the book now? and would reading the book change the book?

anyway, this is…

the elucidation

hey. imagine if everyone 

knew everything

not about the physics and philosophy of the universe, 

god and the mystery of life;

but about every dirty thought you have ever had,

and all the gossip since the pharaoh and moses 

smoked camel lights in negotiation 

round behind the pyramid

not just who horsed who, 

but every weird wet dream too

we would be more liberal and better behaved i should think

subterfuge stymied, 

the obfuscated elucidated.

staying almost on theme, i want to do my first repeat, because while it doesn’t contain a horse, it would have if it not for the austerity budgets of david cameron and george osbourne. apologies to anyone who didn’t like this when i read it four weeks ago. also, apologies to anyone who doesn’t like it today.

this is called, 

the hoarse foreman of the apocalypse

life under actually existing capitalism continues; 

a unique combination of boring and stressful

the yoga word lost to an armed counter revolution 

be mindful, namaste, 

despite the flames, be restful

the firewater fades to a numb, dumb dysphoria

as we tag along 

behind the hoarse foreman of the apocalypse 

on foot due to cutbacks

finally. i don’t like to write too much about politics. i have a degree in political philosophy. i used to wish people were more interested in politics. i have been proved wrong.

anyway 

a new leader had been ennobled and he was promising to end wars while at the same time pardoning violent people who were in prison for good, violent reasons. a mockery has been made of the rule of law. corruption is open, bragged about. it’s depressing. 

but there is a horse in this verse.

all the king’s memes

i despair we are so selfish 

in such a self defeating way

meritocratic is not 

what the world is today

it’s a pump and dump town

and there’s new mayor in clown

so double down 

to top trump

they say

all the king’s horses 

and all the king’s memes

couldn’t repair humpty‘s 

defective genes

he pulls fascist faces

and pardons racists

we can only prey

for a ceasefire that sticks

champagne dog run sling factory tour bonnie umbrella

champagne dog run sling factory tour bonnie umbrella
honestly right now i feel ok about myself,
grateful for what ive been given and have achieved in my four decades so far
maybe i’m ready to start reading novels again
found the partick co-op for a just poetic society
if things are going to change anyway, they may as well change for the better

i have been reading novels again. i spent a long time in the non-fiction wilderness. since 2022 i had a series of medical events. i lost weight, got misdiagnosed, brushed up against mortality. went through some big life events. the events in my life were disorientating and confusing. i didn’t have the mental bandwidth to care about the characters in novels.

so i spent a couple of years going down rabbit holes: nutrition, health, psychotherapy, ptsd, autism, music theory.

thankfully, i seem to be about back to normal. i’m just about to start sally rooney’s latest, and i just finished klara and the sun by kazuo ishiguro.

no and today is so much better than yesterday / infinitely, nice things are nicer than nasty ones

this is a reference to lucky jim by kingsley amis. i had referenced his son a week or so prior. two witty 20th century men. they are dying out, the 20th century men of letters. clive james. christopher hitchens. milan kundera are a few i remember grieving. a lot of them died long before i was born though. george orwell. graham greene.

i think the 20th century novel will forever be tempting to me. modern enough that i understand the social relationships. but historic enough that plots don’t have to be squeezed painfully around mobile phones, gps and dna evidence. a simpler time. more scope for (getting away with) mischief.

and the 21st century novel? we will talk of the 21st century women, not men. we will talk of rooney, smith and mantel, not even bothering with first names, because these are important women of letters.

what are you reading?

the wind cools and we race to the ferry and over the hill / comfortable in the air between fiction and essay—

the best bike rides have boats in them. that’s just a fact. we were nearing the end of the holiday, and fortunately the wind calmed a bit and we got an epic ride over the big mountain in.

i was comfortable and cool in the breeze, and considering one of my favourite writers – milan kundera. he writes perfect prose, light yet weighty. deep with philosophy, shallow with the needs of flesh. the story is unimportant – the storyteller is the whole show. characters, plots and places are tools which the author uses to carve the meaning of life into his reader.