the last antipasti iv

perhaps i can attract
one of your more
stylish companions
i grew in the alluvial
soils of campania,
learned english from hollywood movies,
reared on volcanic aqua minerale
and the sun’s patterns
you, with the specs,
you don’t wanna eat yet?
i can feel i’m cold.
was it yesterday? really yesterday?
bathing in the sunshine
when yanked,
quite jolted,
held tight in a gauntlet
flung in a crate,
i’ve been in the shade,
a day, who knows
they seared me!
and i’m here,
with the almonds,
but the plate’s cold.
all the sundried tomatoes are gone
the salami too
even the mortadella

oh, love may be king
in napoli
but fortune favours
brocolli
yes someone will
come back for me

napoli is weirdly important to my poetry. i really do love the dean martin song. i came up with the title of this poem (the love epochal) in napoli. see stanza 7 (part two, getting there: a brexit prayer, july 24/25) if you are interested in looking back into the lore of this very long poem.

if you do, you will find this anecdote:

in the queue at the starbucks in edinburgh airport, a young black woman was in the line ahead of me. she ordered a hot chocolate. the (white, timid, young, male) barista asked her name, and she said ‘hot chocolate’. obviously, this made the barista quite uncomfortable, but the woman who ordered the drink clearly found it hilarious.

then i ordered my soy flat white. but i just said my name was benn. poor boy.